<\/p>\n
\t\t\t\t<\/span>\n\t\t\t<\/div>\n\n\nAmong the bleeding souls<\/a><\/span><\/h1>\n\nEdition 1 of 1<\/p>\n<\/div>\n\nAn illustration by William Conrady<\/div>\n<\/div>\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<\/p><\/div>\n\n<\/div>\n\n\n\nIVONA TAU<\/strong><\/a><\/span><\/h3>\n<\/div><\/div>\n\n\n\t\t\t\t<\/p>\n\t\t\t\t<\/video><\/div>\n<\/p><\/div>\n\n\nWindows to my worlds<\/a><\/span><\/h1>\n\nEdition 1 of 1<\/p>\n<\/div>\n\nA transparent flutter of memories captured in analog. Coexisting in parallel ways. Generative Adversarial Networks were used to imitate the memory-forming process and then to learn forgetting and blurring of the recollections. By taking pictures of the surrounding world and feeding them into neural networks, the\u00a0artist explores how the meaning and individuality of the images are lost. The piece transforms personal memories of more than 2000 photographs into a generalized vision in 15 tiles that the viewer could relate to in unexpected ways. Custom artist-trained AI model. AI-generated sound. 5120×3072 available upon request 2022 Ivona Tau<\/div>\n<\/div>\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<\/p><\/div>\n\n<\/div>\n\n\n\n\u00c4NGEL\u00cdA<\/a><\/span><\/strong><\/h3>\n<\/h3>\n<\/div><\/div>\n\nThe\u00a0souls\u00a0of\u00a0Afonso\u00a0Caravaggio\u00a0&\u00a0Aisha\u00a0Venus\u00a0merge\u00a0into\u00a0\u00c4ngel\u00eda<\/div>\n<\/p><\/div>\n\n\n\t\t\t\t<\/p>\n\t\t\t\t<\/video><\/div>\n<\/p><\/div>\n\n\n\u00dctopian Epiph\u00e4ny<\/a><\/span><\/h1>\n\nEdition 1 of 1<\/p>\n<\/div>\n\nThe ideal moment of sudden revelation…<\/div>\n<\/div>\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<\/p><\/div>\n\n<\/div>\n\n\n\nNew artists on SuperRare<\/strong><\/h2>\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<\/p><\/div>\n\n<\/div>\n\n\n\nF. DILEK YURDAKUL UYAR<\/strong><\/a><\/span><\/h3>\n<\/div><\/div>\n\nNational\u00a0Geographic\u00a0Travel\u00a0Photographer\u00a0of\u00a0the\u00a0Year\u00a0Winner\/ Travel\u00a0and\u00a0documentary\u00a0photographer\/ C.\u00a0Photographer\u00a0for\u00a0Nat\u00a0Geo\u00a0YS\u00a0and\u00a0Turkey\/\u00a0Educator<\/div>\n<\/p><\/div>\n\n\t\t\t\t<\/span>\n\t\t\t<\/div>\n\n\nThe Story of Us<\/a><\/span><\/h1>\n\nEdition 1 of 1<\/p>\n<\/div>\n\nEver since I started taking photos, I’ve been drawn towards telling stories of people and places through my photographs. This is a story of tradition within modernity, of loneliness in cities filled with people, of questions and anxieties, and of struggles and survival. It is also a story of hope amidst despair, of coexistence with conflict, of dreams despite reality, and of progression with preservation. Taken on a foggy morning in Sharjah, UAE, in 2021, this photo holds a special place in my heart. I’ve also sat across the sea watching the waves crash into the bank countless times in my life, and somehow every time I did, the sound of water made it easier for me to listen to myself and feel strong and peaceful. This photo is symbolic of my own journey in life, of my own struggles, successes, dejections, conflicts, dreams, desires, and hope. But this is neither this woman’s story nor mine. With you in the photo, it would be your story. Despite different circumstances, we are all connected through similar emotions in our own lives. This is the story of us. Edition: 1\/1 Size: 3000*2000<\/div>\n<\/div>\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<\/p><\/div>\n\n<\/div>\n\n\n\nALANI J<\/strong><\/a><\/span><\/h3>\n<\/div><\/div>\n\nWorld\u2019s\u00a0Fastest\u00a0Caricaturist\u00a0Award\u00a0winner\u00a0(ISCA\u00a02019) WORLD\u2019s\u00a0MOST\u00a0FOLLOWED\u00a0CARICATURIST!<\/div>\n<\/p><\/div>\n\n\t\t\t\t<\/span>\n\t\t\t<\/div>\n\n\n4 or 6?<\/a><\/span><\/h1>\n\nEdition 1 of 1<\/p>\n<\/div>\n\nIn this Caricature<\/div>\n<\/div>\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<\/p><\/div>\n\n<\/div>\n\n\n\nJENK<\/strong><\/a><\/span><\/h3>\n<\/div><\/div>\n\nI\u00a0create\u00a0visions\u00a0of\u00a0the\u00a0mind.<\/div>\n<\/p><\/div>\n\n\t\t\t\t<\/span>\n\t\t\t<\/div>\n\n\nInception<\/a><\/span><\/h1>\n\nEdition 1 of 1<\/p>\n<\/div>\n\nA beginning to a new era. The start of a new journey.<\/div>\n<\/div>\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<\/p><\/div>\n\n<\/div>\n\n\n\nADISA OLASHILE<\/span><\/strong><\/a><\/span><\/h3>\n<\/div><\/div>\n\n\t\t\t\t<\/span>\n\t\t\t<\/div>\n\n\nON\u00cdD\u00ccR\u00cd<\/a><\/span><\/h1>\n\nEdition 1 of 1<\/p>\n<\/div>\n\n\n\n\nON\u00cdD\u00ccR\u00cd is a Yoruba traditional name for hairstylist. Yoruba is a tribe in Nigeria, West Africa. On\u00edd\u00ecr\u00ed are most women and their service involves adorning women’s hair in a traditional way by braiding and use of sorts of attachments like stones, rubber , beads or cowrie. ON\u00cdD\u00ccR\u00cd’s shop is more like the centre of convergence for women of different calibre and motives and people said ON\u00cdD\u00ccR\u00cd in the olden day was the parliament where the Rise and Fall of Men are discussed by women. I created this piece to bring back the memories alot of Africa women shared among themselves when they were young .<\/div>\n<\/section>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<\/p><\/div>\n\n<\/div>\n\n\n\nABIODUNNS<\/strong><\/a><\/span><\/h3>\n<\/div><\/div>\n\nI\u00a0basically\u00a0just\u00a0want\u00a0to\u00a0tell\u00a0stories\u00a0with\u00a0my\u00a0drawings.<\/div>\n<\/p><\/div>\n\n\t\t\t\t<\/span>\n\t\t\t<\/div>\n\n\nStill Waiting<\/a><\/span><\/h1>\n\nEdition 1 of 1<\/p>\n<\/div>\n\nI found you when I wasn\u2019t searching, I knew you when my heart needed a home, but what is left of us are memories, still I\u2019m here waiting, waiting till the part of us that faded away shine once more.<\/div>\n<\/div>\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<\/p><\/div>\n\n<\/div>\n\n\n\nC<\/strong>RASHBLOSSOM<\/span><\/a><\/h3>\n<\/div><\/div>\n\nCrypto\u00a0arsonist.\u00a0Exploring\u00a0our\u00a0jagged relationship\u00a0to\u00a0the\u00a0metaverse.\u00a0Dynamic cryptoart.\u00a0Digital\u00a0Process\u00a0art.\u00a0Neural networks.<\/div>\n<\/p><\/div>\n\n\n\t\t\t\t<\/p>\n\t\t\t\t<\/video><\/div>\n<\/p><\/div>\n\n\nUPONLY<\/a><\/span><\/h1>\n\nEdition 1 of 1<\/p>\n<\/div>\n\nPlayer 1. Level 2. This piece is made mostly from my older artworks, extruding them into an extra dimension, then rotating and processing them so they become new again. 10 seconds 1900 x 2850<\/div>\n<\/div>\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<\/p><\/div>\n\n<\/div>\n\n\n\n
Edition 1 of 1<\/p>\n<\/div>\n
\t\t\t\t<\/video><\/div>\n<\/p><\/div>\n
\t\t\t\t<\/span>\n\t\t\t<\/div>\n\n\nThe Story of Us<\/a><\/span><\/h1>\n\nEdition 1 of 1<\/p>\n<\/div>\n\nEver since I started taking photos, I’ve been drawn towards telling stories of people and places through my photographs. This is a story of tradition within modernity, of loneliness in cities filled with people, of questions and anxieties, and of struggles and survival. It is also a story of hope amidst despair, of coexistence with conflict, of dreams despite reality, and of progression with preservation. Taken on a foggy morning in Sharjah, UAE, in 2021, this photo holds a special place in my heart. I’ve also sat across the sea watching the waves crash into the bank countless times in my life, and somehow every time I did, the sound of water made it easier for me to listen to myself and feel strong and peaceful. This photo is symbolic of my own journey in life, of my own struggles, successes, dejections, conflicts, dreams, desires, and hope. But this is neither this woman’s story nor mine. With you in the photo, it would be your story. Despite different circumstances, we are all connected through similar emotions in our own lives. This is the story of us. Edition: 1\/1 Size: 3000*2000<\/div>\n<\/div>\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<\/p><\/div>\n\n<\/div>\n\n\n\nALANI J<\/strong><\/a><\/span><\/h3>\n<\/div><\/div>\n\nWorld\u2019s\u00a0Fastest\u00a0Caricaturist\u00a0Award\u00a0winner\u00a0(ISCA\u00a02019) WORLD\u2019s\u00a0MOST\u00a0FOLLOWED\u00a0CARICATURIST!<\/div>\n<\/p><\/div>\n\n\t\t\t\t<\/span>\n\t\t\t<\/div>\n\n\n4 or 6?<\/a><\/span><\/h1>\n\nEdition 1 of 1<\/p>\n<\/div>\n\nIn this Caricature<\/div>\n<\/div>\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<\/p><\/div>\n\n<\/div>\n\n\n\nJENK<\/strong><\/a><\/span><\/h3>\n<\/div><\/div>\n\nI\u00a0create\u00a0visions\u00a0of\u00a0the\u00a0mind.<\/div>\n<\/p><\/div>\n\n\t\t\t\t<\/span>\n\t\t\t<\/div>\n\n\nInception<\/a><\/span><\/h1>\n\nEdition 1 of 1<\/p>\n<\/div>\n\nA beginning to a new era. The start of a new journey.<\/div>\n<\/div>\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<\/p><\/div>\n\n<\/div>\n\n\n\nADISA OLASHILE<\/span><\/strong><\/a><\/span><\/h3>\n<\/div><\/div>\n\n\t\t\t\t<\/span>\n\t\t\t<\/div>\n\n\nON\u00cdD\u00ccR\u00cd<\/a><\/span><\/h1>\n\nEdition 1 of 1<\/p>\n<\/div>\n\n\n\n\nON\u00cdD\u00ccR\u00cd is a Yoruba traditional name for hairstylist. Yoruba is a tribe in Nigeria, West Africa. On\u00edd\u00ecr\u00ed are most women and their service involves adorning women’s hair in a traditional way by braiding and use of sorts of attachments like stones, rubber , beads or cowrie. ON\u00cdD\u00ccR\u00cd’s shop is more like the centre of convergence for women of different calibre and motives and people said ON\u00cdD\u00ccR\u00cd in the olden day was the parliament where the Rise and Fall of Men are discussed by women. I created this piece to bring back the memories alot of Africa women shared among themselves when they were young .<\/div>\n<\/section>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<\/p><\/div>\n\n<\/div>\n\n\n\nABIODUNNS<\/strong><\/a><\/span><\/h3>\n<\/div><\/div>\n\nI\u00a0basically\u00a0just\u00a0want\u00a0to\u00a0tell\u00a0stories\u00a0with\u00a0my\u00a0drawings.<\/div>\n<\/p><\/div>\n\n\t\t\t\t<\/span>\n\t\t\t<\/div>\n\n\nStill Waiting<\/a><\/span><\/h1>\n\nEdition 1 of 1<\/p>\n<\/div>\n\nI found you when I wasn\u2019t searching, I knew you when my heart needed a home, but what is left of us are memories, still I\u2019m here waiting, waiting till the part of us that faded away shine once more.<\/div>\n<\/div>\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<\/p><\/div>\n\n<\/div>\n\n\n\nC<\/strong>RASHBLOSSOM<\/span><\/a><\/h3>\n<\/div><\/div>\n\nCrypto\u00a0arsonist.\u00a0Exploring\u00a0our\u00a0jagged relationship\u00a0to\u00a0the\u00a0metaverse.\u00a0Dynamic cryptoart.\u00a0Digital\u00a0Process\u00a0art.\u00a0Neural networks.<\/div>\n<\/p><\/div>\n\n\n\t\t\t\t<\/p>\n\t\t\t\t<\/video><\/div>\n<\/p><\/div>\n\n\nUPONLY<\/a><\/span><\/h1>\n\nEdition 1 of 1<\/p>\n<\/div>\n\nPlayer 1. Level 2. This piece is made mostly from my older artworks, extruding them into an extra dimension, then rotating and processing them so they become new again. 10 seconds 1900 x 2850<\/div>\n<\/div>\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<\/p><\/div>\n\n<\/div>\n\n\n\n
\t\t\t\t<\/span>\n\t\t\t<\/div>\n\n\n4 or 6?<\/a><\/span><\/h1>\n\nEdition 1 of 1<\/p>\n<\/div>\n\nIn this Caricature<\/div>\n<\/div>\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<\/p><\/div>\n\n<\/div>\n\n\n\nJENK<\/strong><\/a><\/span><\/h3>\n<\/div><\/div>\n\nI\u00a0create\u00a0visions\u00a0of\u00a0the\u00a0mind.<\/div>\n<\/p><\/div>\n\n\t\t\t\t<\/span>\n\t\t\t<\/div>\n\n\nInception<\/a><\/span><\/h1>\n\nEdition 1 of 1<\/p>\n<\/div>\n\nA beginning to a new era. The start of a new journey.<\/div>\n<\/div>\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<\/p><\/div>\n\n<\/div>\n\n\n\nADISA OLASHILE<\/span><\/strong><\/a><\/span><\/h3>\n<\/div><\/div>\n\n\t\t\t\t<\/span>\n\t\t\t<\/div>\n\n\nON\u00cdD\u00ccR\u00cd<\/a><\/span><\/h1>\n\nEdition 1 of 1<\/p>\n<\/div>\n\n\n\n\nON\u00cdD\u00ccR\u00cd is a Yoruba traditional name for hairstylist. Yoruba is a tribe in Nigeria, West Africa. On\u00edd\u00ecr\u00ed are most women and their service involves adorning women’s hair in a traditional way by braiding and use of sorts of attachments like stones, rubber , beads or cowrie. ON\u00cdD\u00ccR\u00cd’s shop is more like the centre of convergence for women of different calibre and motives and people said ON\u00cdD\u00ccR\u00cd in the olden day was the parliament where the Rise and Fall of Men are discussed by women. I created this piece to bring back the memories alot of Africa women shared among themselves when they were young .<\/div>\n<\/section>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<\/p><\/div>\n\n<\/div>\n\n\n\nABIODUNNS<\/strong><\/a><\/span><\/h3>\n<\/div><\/div>\n\nI\u00a0basically\u00a0just\u00a0want\u00a0to\u00a0tell\u00a0stories\u00a0with\u00a0my\u00a0drawings.<\/div>\n<\/p><\/div>\n\n\t\t\t\t<\/span>\n\t\t\t<\/div>\n\n\nStill Waiting<\/a><\/span><\/h1>\n\nEdition 1 of 1<\/p>\n<\/div>\n\nI found you when I wasn\u2019t searching, I knew you when my heart needed a home, but what is left of us are memories, still I\u2019m here waiting, waiting till the part of us that faded away shine once more.<\/div>\n<\/div>\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<\/p><\/div>\n\n<\/div>\n\n\n\nC<\/strong>RASHBLOSSOM<\/span><\/a><\/h3>\n<\/div><\/div>\n\nCrypto\u00a0arsonist.\u00a0Exploring\u00a0our\u00a0jagged relationship\u00a0to\u00a0the\u00a0metaverse.\u00a0Dynamic cryptoart.\u00a0Digital\u00a0Process\u00a0art.\u00a0Neural networks.<\/div>\n<\/p><\/div>\n\n\n\t\t\t\t<\/p>\n\t\t\t\t<\/video><\/div>\n<\/p><\/div>\n\n\nUPONLY<\/a><\/span><\/h1>\n\nEdition 1 of 1<\/p>\n<\/div>\n\nPlayer 1. Level 2. This piece is made mostly from my older artworks, extruding them into an extra dimension, then rotating and processing them so they become new again. 10 seconds 1900 x 2850<\/div>\n<\/div>\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<\/p><\/div>\n\n<\/div>\n\n\n\n
\t\t\t\t<\/span>\n\t\t\t<\/div>\n\n\nInception<\/a><\/span><\/h1>\n\nEdition 1 of 1<\/p>\n<\/div>\n\nA beginning to a new era. The start of a new journey.<\/div>\n<\/div>\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<\/p><\/div>\n\n<\/div>\n\n\n\nADISA OLASHILE<\/span><\/strong><\/a><\/span><\/h3>\n<\/div><\/div>\n\n\t\t\t\t<\/span>\n\t\t\t<\/div>\n\n\nON\u00cdD\u00ccR\u00cd<\/a><\/span><\/h1>\n\nEdition 1 of 1<\/p>\n<\/div>\n\n\n\n\nON\u00cdD\u00ccR\u00cd is a Yoruba traditional name for hairstylist. Yoruba is a tribe in Nigeria, West Africa. On\u00edd\u00ecr\u00ed are most women and their service involves adorning women’s hair in a traditional way by braiding and use of sorts of attachments like stones, rubber , beads or cowrie. ON\u00cdD\u00ccR\u00cd’s shop is more like the centre of convergence for women of different calibre and motives and people said ON\u00cdD\u00ccR\u00cd in the olden day was the parliament where the Rise and Fall of Men are discussed by women. I created this piece to bring back the memories alot of Africa women shared among themselves when they were young .<\/div>\n<\/section>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<\/p><\/div>\n\n<\/div>\n\n\n\nABIODUNNS<\/strong><\/a><\/span><\/h3>\n<\/div><\/div>\n\nI\u00a0basically\u00a0just\u00a0want\u00a0to\u00a0tell\u00a0stories\u00a0with\u00a0my\u00a0drawings.<\/div>\n<\/p><\/div>\n\n\t\t\t\t<\/span>\n\t\t\t<\/div>\n\n\nStill Waiting<\/a><\/span><\/h1>\n\nEdition 1 of 1<\/p>\n<\/div>\n\nI found you when I wasn\u2019t searching, I knew you when my heart needed a home, but what is left of us are memories, still I\u2019m here waiting, waiting till the part of us that faded away shine once more.<\/div>\n<\/div>\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<\/p><\/div>\n\n<\/div>\n\n\n\nC<\/strong>RASHBLOSSOM<\/span><\/a><\/h3>\n<\/div><\/div>\n\nCrypto\u00a0arsonist.\u00a0Exploring\u00a0our\u00a0jagged relationship\u00a0to\u00a0the\u00a0metaverse.\u00a0Dynamic cryptoart.\u00a0Digital\u00a0Process\u00a0art.\u00a0Neural networks.<\/div>\n<\/p><\/div>\n\n\n\t\t\t\t<\/p>\n\t\t\t\t<\/video><\/div>\n<\/p><\/div>\n\n\nUPONLY<\/a><\/span><\/h1>\n\nEdition 1 of 1<\/p>\n<\/div>\n\nPlayer 1. Level 2. This piece is made mostly from my older artworks, extruding them into an extra dimension, then rotating and processing them so they become new again. 10 seconds 1900 x 2850<\/div>\n<\/div>\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<\/p><\/div>\n\n<\/div>\n\n\n\n
\t\t\t\t<\/span>\n\t\t\t<\/div>\n\n\nON\u00cdD\u00ccR\u00cd<\/a><\/span><\/h1>\n\nEdition 1 of 1<\/p>\n<\/div>\n\n\n\n\nON\u00cdD\u00ccR\u00cd is a Yoruba traditional name for hairstylist. Yoruba is a tribe in Nigeria, West Africa. On\u00edd\u00ecr\u00ed are most women and their service involves adorning women’s hair in a traditional way by braiding and use of sorts of attachments like stones, rubber , beads or cowrie. ON\u00cdD\u00ccR\u00cd’s shop is more like the centre of convergence for women of different calibre and motives and people said ON\u00cdD\u00ccR\u00cd in the olden day was the parliament where the Rise and Fall of Men are discussed by women. I created this piece to bring back the memories alot of Africa women shared among themselves when they were young .<\/div>\n<\/section>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<\/p><\/div>\n\n<\/div>\n\n\n\nABIODUNNS<\/strong><\/a><\/span><\/h3>\n<\/div><\/div>\n\nI\u00a0basically\u00a0just\u00a0want\u00a0to\u00a0tell\u00a0stories\u00a0with\u00a0my\u00a0drawings.<\/div>\n<\/p><\/div>\n\n\t\t\t\t<\/span>\n\t\t\t<\/div>\n\n\nStill Waiting<\/a><\/span><\/h1>\n\nEdition 1 of 1<\/p>\n<\/div>\n\nI found you when I wasn\u2019t searching, I knew you when my heart needed a home, but what is left of us are memories, still I\u2019m here waiting, waiting till the part of us that faded away shine once more.<\/div>\n<\/div>\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<\/p><\/div>\n\n<\/div>\n\n\n\nC<\/strong>RASHBLOSSOM<\/span><\/a><\/h3>\n<\/div><\/div>\n\nCrypto\u00a0arsonist.\u00a0Exploring\u00a0our\u00a0jagged relationship\u00a0to\u00a0the\u00a0metaverse.\u00a0Dynamic cryptoart.\u00a0Digital\u00a0Process\u00a0art.\u00a0Neural networks.<\/div>\n<\/p><\/div>\n\n\n\t\t\t\t<\/p>\n\t\t\t\t<\/video><\/div>\n<\/p><\/div>\n\n\nUPONLY<\/a><\/span><\/h1>\n\nEdition 1 of 1<\/p>\n<\/div>\n\nPlayer 1. Level 2. This piece is made mostly from my older artworks, extruding them into an extra dimension, then rotating and processing them so they become new again. 10 seconds 1900 x 2850<\/div>\n<\/div>\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<\/p><\/div>\n\n<\/div>\n\n\n\n
\t\t\t\t<\/span>\n\t\t\t<\/div>\n\n\nStill Waiting<\/a><\/span><\/h1>\n\nEdition 1 of 1<\/p>\n<\/div>\n\nI found you when I wasn\u2019t searching, I knew you when my heart needed a home, but what is left of us are memories, still I\u2019m here waiting, waiting till the part of us that faded away shine once more.<\/div>\n<\/div>\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<\/p><\/div>\n\n<\/div>\n\n\n\nC<\/strong>RASHBLOSSOM<\/span><\/a><\/h3>\n<\/div><\/div>\n\nCrypto\u00a0arsonist.\u00a0Exploring\u00a0our\u00a0jagged relationship\u00a0to\u00a0the\u00a0metaverse.\u00a0Dynamic cryptoart.\u00a0Digital\u00a0Process\u00a0art.\u00a0Neural networks.<\/div>\n<\/p><\/div>\n\n\n\t\t\t\t<\/p>\n\t\t\t\t<\/video><\/div>\n<\/p><\/div>\n\n\nUPONLY<\/a><\/span><\/h1>\n\nEdition 1 of 1<\/p>\n<\/div>\n\nPlayer 1. Level 2. This piece is made mostly from my older artworks, extruding them into an extra dimension, then rotating and processing them so they become new again. 10 seconds 1900 x 2850<\/div>\n<\/div>\n<\/div><\/div>\n<\/p><\/div>\n<\/div>\n<\/p><\/div>\n\n<\/div>\n\n\n\n