{"id":11149,"date":"2023-08-30T21:51:39","date_gmt":"2023-08-30T21:51:39","guid":{"rendered":"https:\/\/nft.runfyers.com\/index.php\/2023\/08\/30\/facing-death-finding-peace-following-process-interview-with-jazz-dijk-makersplace-editorial\/"},"modified":"2023-08-30T21:51:39","modified_gmt":"2023-08-30T21:51:39","slug":"facing-death-finding-peace-following-process-interview-with-jazz-dijk-makersplace-editorial","status":"publish","type":"post","link":"https:\/\/nft.runfyers.com\/index.php\/2023\/08\/30\/facing-death-finding-peace-following-process-interview-with-jazz-dijk-makersplace-editorial\/","title":{"rendered":"Facing Death, Finding Peace, & Following Process \u2014 Interview with Jazz Dijk | MakersPlace Editorial"},"content":{"rendered":"

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Jazz Dijk, an avant-garde artist hailing from Amsterdam, intricately melds the realms of consciousness, philosophy, and elemental exploration in his work.\u00a0<\/p>\n

Drawing from personal neurodegenerative issues and transformative meditative experiences, Jazz has transformed his creative approach to art and music, revealing profound insights and innovative artistic expressions. His endeavors to bridge the abstract with the tangible have not only birthed mesmerizing digital art but also evocative poetry that invites introspection and philosophical discourse.\u00a0<\/p>\n

This interview delves into Jazz\u2019s intricate relationship with the elements and his journey of self-discovery and artistic evolution.<\/p>\n

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Brady Walker: For those of our audience who are not familiar with you and your work, can you introduce yourself?<\/strong><\/p>\n

Jazz Dijk: I\u2019m a Dutch artist. I\u2019m not bound by style, but more by an approach. I always consciously explore and express the fruition of my emotions, seeing them as chapters of my life and expressing them in art pieces. One of my recent works is The End of a New Beginning<\/em>, which consists of three pieces that relate to each other in theme and story, but not necessarily in style. It\u2019s more about my approach than the style itself.<\/p>\n

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BW: Can you tell me about the title <\/strong>The End of a New Beginning<\/em><\/strong><\/a>?<\/strong><\/p>\n

JD: To truly grasp the title, one needs to understand the story behind it. The End of a New Beginning<\/em><\/a> symbolizes me consciously closing a significant chapter in my life which, coincidentally, initiated another one. It was intriguing to me how something can provide closure only to pave the way for something new. This cyclical nature inspired the title. While it might seem playful, its deeper meaning becomes evident when one delves into the entire drop.<\/p>\n

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BW: You were raised in an artistic environment, right? I know <\/strong>your uncle Hendrik<\/strong><\/a> is an artist and has been an art educator for a long time. Is the rest of your family also artistically inclined?<\/strong><\/p>\n

JD: My mother is my biggest inspiration. She\u2019s been the artist around me for as long as I can remember. While my dad isn\u2019t exactly an artist, he\u2019s very creative. He\u2019s a dancer and has a flair for clothing. He\u2019s also a teacher and is currently writing a book. So, creativity has always surrounded me, primarily from my parents. Many in my family play instruments, draw, or paint. We do have professionals like Hendrik, but generally speaking, I\u2019ve always been around expressive people. It contrasts with, say, my uncle who is a traditional carpenter. His work is creative, but it\u2019s not art. This artistic environment has been a constant in my life.<\/p>\n

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BW: What was your first creative outlet, being raised in such a creative environment?<\/strong><\/p>\n

JD: There are many pictures of me at two years old, playing guitar and singing. Music.<\/p>\n

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BW: How do you split your time between music and art?<\/strong><\/p>\n

JD: I have a bit of an obsession with productivity. I plan my entire day creatively, incorporating different structures and schedules. For instance, while my audio file is exporting, I\u2019ll use that time to create an art piece. Once that\u2019s done, I\u2019ll return to mixing. Similarly, if an animation project takes about half an hour to render, I\u2019ll use that time for music practice. It\u2019s like riding a wave of hyper-focus every day. However, it\u2019s not always pre-planned. When a project deadline approaches, I just ensure I\u2019m prepared and might need to focus a bit more.<\/p>\n

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BW: You were diagnosed with Parkinson\u2019s not that long ago. Is that correct?<\/strong><\/p>\n

JD: Yes, the process is ongoing. Neurological signs often have uncertainties. I have another appointment on the seventh with one of the top neurological scientists in the Netherlands. I\u2019m supposed to start vitamin shots soon, but there\u2019s been a delay. The diagnosis is intense, but there\u2019s much that can be done today, especially since I\u2019m young. I\u2019ve maintained a healthy lifestyle, especially after my wild teenage years.<\/p>\n

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BW: Do you find yourself creating differently with the onset of symptoms?<\/strong><\/p>\n

JD: Definitely, especially in music, because it impacts what I\u2019m capable of. For example, even though I have shakes today, I can still play instruments quite well. The extent of what I wish to do musically depends on the severity of my symptoms. In art, I view it more as an invitation. I embrace it rather than seeing it as a hindrance. I try to transform it into a form of creative expression.<\/p>\n

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