{"id":1565,"date":"2022-12-09T16:03:51","date_gmt":"2022-12-09T16:03:51","guid":{"rendered":"https:\/\/nft.runfyers.com\/index.php\/2022\/12\/09\/new-artists-on-superrare-superrare-magazine-5\/"},"modified":"2022-12-09T16:03:51","modified_gmt":"2022-12-09T16:03:51","slug":"new-artists-on-superrare-superrare-magazine-5","status":"publish","type":"post","link":"https:\/\/nft.runfyers.com\/index.php\/2022\/12\/09\/new-artists-on-superrare-superrare-magazine-5\/","title":{"rendered":"New artists on SuperRare – SuperRare Magazine"},"content":{"rendered":"

<\/p>\n

\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
\n
\n
\n
<\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
\n
\n

New artists on SuperRare<\/h1>\n<\/p><\/div>\n<\/p><\/div>\n
<\/div>\n
\n
<\/div>\n<\/p><\/div>\n
\n
SuperRare Magazine<\/a><\/div>\n<\/p><\/div>\n
\n
13 hours ago<\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n
<\/div>\n
\n
\n
\n

New artists to watch<\/strong><\/h2>\n<\/div><\/div>\n
\n
\n

These artists were voted on from this week\u2019s list by members of the editorial and curation teams at SuperRare Labs.<\/span><\/p>\n<\/div><\/div>\n<\/p><\/div>\n

<\/div>\n<\/p><\/div>\n
\n
<\/div>\n
\n
\n
\n

HRANT KHACHATRYAN<\/strong><\/a><\/span><\/h3>\n<\/div><\/div>\n
\n

\t\t\t\t<\/span>\n\t\t\t<\/div>\n

\n
\n

<\/a>Grace<\/a><\/span><\/h1>\n
\n

Edition 1 of 1<\/p>\n<\/div>\n

\n
There <\/span>is <\/span>an <\/span>ancient <\/span>belief <\/span>that <\/span>during <\/span>the <\/span>active <\/span>labor <\/span>mother, <\/span>while <\/span>in <\/span>a <\/span>state <\/span>of <\/span>weakened <\/span>frontal <\/span>brain <\/span>cortex <\/span>(a <\/span>state <\/span>of <\/span>deep <\/span>meditation <\/span>and <\/span>deactivated <\/span>consciousness), <\/span>\u201cgoes <\/span>to <\/span>the <\/span>stars <\/span>after <\/span>her <\/span>baby\u2019s <\/span>spirit <\/span>and <\/span>they <\/span>come <\/span>back <\/span>together\u201d.<\/span> This <\/span>is <\/span>my <\/span>wife\u2019s <\/span>portrait <\/span>breastfeeding <\/span>our <\/span>two <\/span>month <\/span>old <\/span>baby. <\/span>I <\/span>could <\/span>feel <\/span>the <\/span>bonding <\/span>between <\/span>them <\/span>and <\/span>capturing <\/span>that <\/span>moment <\/span>made <\/span>me <\/span>feel <\/span>bonded <\/span>with <\/span>them <\/span>too. She <\/span>then <\/span>started <\/span>singing <\/span>lullaby <\/span>to <\/span>soothe <\/span>him, <\/span>which <\/span>made <\/span>that <\/span>moment <\/span>even <\/span>more <\/span>precious <\/span>and <\/span>complete.<\/span> It <\/span>was <\/span>a <\/span>lullaby <\/span>based <\/span>on <\/span>\u201cCradle <\/span>Song\u201d, <\/span>a <\/span>poem <\/span>by <\/span>Rafael <\/span>Patkanian <\/span>(1830-1892), <\/span>one <\/span>of <\/span>the <\/span>most <\/span>popular <\/span>Armenian <\/span>poets.<\/span> A <\/span>lullaby <\/span>with <\/span>powerful <\/span>underlying <\/span>meaning <\/span>and <\/span>beautifully <\/span>simple <\/span>melody <\/span>which <\/span>speaks <\/span>to <\/span>all <\/span>Armenians <\/span>as <\/span>a <\/span>whole.<\/span> Nightingale, <\/span>leave <\/span>our <\/span>garden,<\/span> Where <\/span>soft <\/span>dews <\/span>the <\/span>blossoms <\/span>steep <\/span>;<\/span> With <\/span>thy <\/span>litanies <\/span>melodious <\/span>\u2028 Come <\/span>and <\/span>sing <\/span>my <\/span>son <\/span>to <\/span>sleep! <\/span>\u2028 Nay, <\/span>he <\/span>sleeps <\/span>not <\/span>for <\/span>thy <\/span>chanting, <\/span>\u2028 And <\/span>his <\/span>weeping <\/span>hath <\/span>not <\/span>ceased. <\/span>\u2028 Come <\/span>not, <\/span>nightingale <\/span>! <\/span>My <\/span>darling <\/span>\u2028 Does <\/span>not <\/span>wish <\/span>to <\/span>be <\/span>a <\/span>priest. <\/span>\u2028 O <\/span>thou <\/span>thievish, <\/span>clever <\/span>jackdaw, <\/span>\u2028 That <\/span>in <\/span>coin <\/span>findest <\/span>thy <\/span>joy, <\/span>\u2028 With <\/span>thy <\/span>tales <\/span>of <\/span>gold <\/span>and <\/span>profit <\/span>\u2028 Come <\/span>and <\/span>soothe <\/span>my <\/span>wailing <\/span>boy <\/span>! <\/span>\u2028 Nay, <\/span>thy <\/span>chatter <\/span>does <\/span>not <\/span>lull <\/span>him, <\/span>\u2028 And <\/span>his <\/span>crying <\/span>is <\/span>not <\/span>stayed. <\/span>\u2028 Come <\/span>not, <\/span>jackdaw <\/span>! <\/span>for <\/span>my <\/span>darling <\/span>\u2028 Will <\/span>not <\/span>choose <\/span>the <\/span>merchant\u2019s <\/span>trade. <\/span>\u2028 Wild <\/span>dove, <\/span>leave <\/span>the <\/span>fields <\/span>and <\/span>pastures <\/span>\u2028 Where <\/span>thou <\/span>grievest <\/span>all <\/span>day <\/span>long; <\/span>\u2028 Come <\/span>and <\/span>bring <\/span>my <\/span>boy <\/span>sweet <\/span>slumber <\/span>\u2028 With <\/span>thy <\/span>melancholy <\/span>song <\/span>! <\/span>\u2028 Still <\/span>he <\/span>weeps. <\/span>Nay, <\/span>come <\/span>not <\/span>hither, <\/span>\u2028 Plaintive <\/span>songster, <\/span>for <\/span>I <\/span>see <\/span>\u2028 That <\/span>he <\/span>loves <\/span>not <\/span>lamentations, <\/span>\u2028 And <\/span>no <\/span>mourner <\/span>will <\/span>he <\/span>be. <\/span>\u2028 Leave <\/span>thy <\/span>chase, <\/span>brave-hearted <\/span>falcon! <\/span>\u2028 Haply <\/span>he <\/span>thy <\/span>song <\/span>would <\/span>hear. <\/span>\u2028 And <\/span>the <\/span>boy <\/span>lay <\/span>hushed, <\/span>and <\/span>slumbered, <\/span>\u2028 With <\/span>the <\/span>war-notes <\/span>in <\/span>his <\/span>ear. English <\/span>translation <\/span>of <\/span>the <\/span>poem <\/span>by <\/span>Rafael <\/span>Patkanian.<\/span> Photo <\/span>taken <\/span>by <\/span>medium <\/span>format <\/span>black&white <\/span>film. Yerevan, <\/span>Armenia, <\/span><\/span>2020. <\/span><\/span>\u00a0<\/span><\/div>\n<\/div>\n<\/div><\/div>\n<\/p><\/div>\n
<\/div>\n<\/p><\/div>\n
\n
<\/div>\n
\n
\n
\n

BROOKE EINBENDER<\/strong><\/a><\/span><\/h3>\n<\/div><\/div>\n
\n
\n

Venturing\u00a0<\/span>into\u00a0<\/span>\ud835\udd4b\u210d\ud835\udd3c\u00a0<\/span>\ud835\udd4c\u2115\ud835\udd42\u2115\ud835\udd46\ud835\udd4e\u2115\u00a0<\/span>\u2124\ud835\udd46\u2115\ud835\udd3c\u2063…\u00a0<\/span>Genesis\u00a0<\/span>Drop\u00a0<\/span>11.29.22\u00a0<\/span>\u00a0<\/span><\/p>\n<\/div><\/div>\n

\n
\n\t\t\t\t
\n
\n

Iris<\/a><\/span><\/h1>\n
\n

Edition 1 of 1<\/p>\n<\/div>\n

\n
During <\/span>the <\/span>Covid-19 <\/span>lockdown, <\/span>Brooke <\/span>began <\/span>contemplating <\/span>the <\/span>deep <\/span>isolation <\/span>we <\/span>experienced <\/span>as <\/span>a <\/span>collective <\/span>on <\/span>a <\/span>global <\/span>scale. <\/span>Personal <\/span>transformations <\/span>began <\/span>happening <\/span>to <\/span>us <\/span>all <\/span>– <\/span>behind <\/span>closed <\/span>doors. <\/span>As <\/span>a <\/span>reaction <\/span>to <\/span>the <\/span>times, <\/span>Brooke <\/span>began <\/span>collecting <\/span>reclaimed <\/span>doors <\/span>from <\/span>her <\/span>community <\/span>in <\/span>Telluride, <\/span>CO, <\/span>and <\/span>transforming <\/span>them <\/span>into <\/span>works <\/span>of <\/span>fine <\/span>art. <\/span>During <\/span>this <\/span>time, <\/span>she <\/span>also <\/span>used <\/span>Virtual <\/span>Reality <\/span>as <\/span>a <\/span>tool <\/span>to <\/span>escape <\/span>the <\/span>current <\/span>lockdown <\/span>situation. With <\/span>a <\/span>background <\/span>in <\/span>oil <\/span>painting, <\/span>Brooke <\/span>works <\/span>in <\/span>Virtual <\/span>Reality <\/span>to <\/span>translate <\/span>her <\/span>paintings <\/span>into <\/span>immersive <\/span>3D <\/span>simulations. <\/span>When <\/span>Brooke <\/span>puts <\/span>on <\/span>a <\/span>VR <\/span>headset, <\/span>she <\/span>is <\/span>displaced <\/span>from <\/span>her <\/span>physical <\/span>reality <\/span>and <\/span>is <\/span>transported <\/span>into <\/span>the <\/span>virtual <\/span>realm. <\/span>With <\/span>controls <\/span>in <\/span>both <\/span>hands, <\/span>she <\/span>digitally <\/span>paints <\/span>with <\/span>light <\/span>and <\/span>animated <\/span>brushes <\/span>in <\/span>360 <\/span>degrees. <\/span>Ultimately <\/span>in <\/span>VR, <\/span>Brooke <\/span>is <\/span>creating <\/span>her <\/span>own <\/span>experiential <\/span>worlds <\/span>that <\/span>surpass <\/span>the <\/span>limitations <\/span>of <\/span>painting. \u201cIris\u201d <\/span>is <\/span>featured <\/span>in <\/span>Brooke’s <\/span>“Unknown <\/span>Zone” <\/span>exhibition <\/span>at <\/span>the <\/span>Arlo <\/span>Wynwood <\/span>hotel <\/span>during <\/span>Miami <\/span>Art <\/span>Week <\/span>2022. <\/span>The <\/span>exhibition <\/span>features <\/span>three <\/span>mind-bending, <\/span>portal-inspired <\/span>installations <\/span>that <\/span>bridge <\/span>both <\/span>physical <\/span>and <\/span>digital <\/span>realms. \u201cIris\u201d <\/span>is <\/span>featured <\/span>in <\/span>Brooke\u2019s <\/span>33 <\/span>ft <\/span>mixed <\/span>reality <\/span>portal <\/span>installation. <\/span>The <\/span>sculpture <\/span>explores <\/span>the <\/span>notion <\/span>of <\/span>the <\/span>multiverse: <\/span>a <\/span>theoretical <\/span>reality <\/span>that <\/span>includes <\/span>an <\/span>infinite <\/span>number <\/span>of <\/span>parallel <\/span>universes. <\/span>Five <\/span>of <\/span>Brooke\u2019s <\/span>fine <\/span>art <\/span>doors <\/span>are <\/span>embedded <\/span>into <\/span>the <\/span>whimsical <\/span>turf <\/span>facade. <\/span>Animations <\/span>of <\/span>Einbender\u2019s <\/span>Virtual <\/span>Reality <\/span>dreamscapes <\/span>appear <\/span>through <\/span>the <\/span>windows <\/span>of <\/span>each <\/span>door, <\/span>creating <\/span>captivating <\/span>portals <\/span>that <\/span>pull <\/span>the <\/span>audience <\/span>into <\/span>different <\/span>otherworldly <\/span>dimensions.<\/span> 10% <\/span>of <\/span>the <\/span>proceeds <\/span>from <\/span>this <\/span>sale <\/span>will <\/span>be <\/span>donated <\/span>to <\/span>the <\/span>Ocean <\/span>Rescue <\/span>Alliance <\/span>(ORA), <\/span>a <\/span>Florida-based <\/span>nonprofit <\/span>that <\/span>specializes <\/span>in <\/span>designing <\/span>innovative <\/span>techniques <\/span>to <\/span>restore <\/span>marine <\/span>environments. <\/span>The <\/span>goal <\/span>of <\/span>ORA’s <\/span>artificial <\/span>reef <\/span>program <\/span>is <\/span>to <\/span>construct <\/span>structures <\/span>that <\/span>mimic <\/span>natural <\/span>reef <\/span>habitats <\/span>and <\/span>inspire <\/span>with <\/span>functional <\/span>art.<\/span><\/div>\n<\/div>\n<\/div><\/div>\n<\/p><\/div>\n
<\/div>\n<\/p><\/div>\n
\n
<\/div>\n
\n
\n
\n

BIZZARRO<\/strong><\/a><\/span><\/h3>\n<\/div><\/div>\n
\n

\t\t\t\t\"\"<\/span>\n\t\t\t<\/div>\n

\n
\n

<\/a>Rebirth – The Broken Doll<\/a><\/span><\/h1>\n
\n

Edition 1 of 1<\/p>\n<\/div>\n

\n
When <\/span>you <\/span>are <\/span>a <\/span>doll <\/span>you <\/span>or <\/span>you <\/span>end <\/span>up <\/span>abandoned <\/span>or <\/span>broken. You <\/span>either <\/span>break <\/span>ties <\/span>with <\/span>your <\/span>toys <\/span>or <\/span>you <\/span>end <\/span>up <\/span>breaking <\/span>them. Have <\/span>you <\/span>ever <\/span>wondered <\/span>about <\/span>the <\/span>wounds <\/span>you <\/span>inflicted <\/span>on <\/span>your <\/span>favorite <\/span>doll? As <\/span>for <\/span>any <\/span>human <\/span>beings, <\/span>scars <\/span>never <\/span>fade, <\/span>but <\/span>from <\/span>the <\/span>cracks, <\/span>a <\/span>new <\/span>life <\/span>is <\/span>ready <\/span>to <\/span>blossom. Rebirth <\/span>is <\/span>the <\/span>first <\/span>of <\/span>many <\/span>stories <\/span>for <\/span>\u201cThe <\/span>Broken <\/span>Doll\u2019 <\/span>\u00a0<\/span><\/div>\n<\/div>\n<\/div><\/div>\n<\/p><\/div>\n
<\/div>\n<\/p><\/div>\n
\n
<\/div>\n
\n
\n
\n

New artists on SuperRare<\/strong><\/h2>\n<\/div><\/div>\n<\/p><\/div>\n
<\/div>\n<\/p><\/div>\n
\n
<\/div>\n
\n
\n
\n

JOSH LEE<\/strong><\/a><\/span><\/h3>\n<\/div><\/div>\n
\n

\t\t\t\t\"\"<\/span>\n\t\t\t<\/div>\n

\n
\n

Can’t Stop the World<\/a><\/span><\/h1>\n
\n

Edition 1 of 1<\/p>\n<\/div>\n

\n
Ilford <\/span>HP5 <\/span>120 <\/span>film <\/span>developed <\/span>with <\/span>coffee. <\/span>Hand <\/span>painted <\/span>on <\/span>negative <\/span>with <\/span>food <\/span>coloring. 6343×5074 <\/span>\u00a0<\/span><\/div>\n<\/div>\n<\/div><\/div>\n<\/p><\/div>\n
<\/div>\n<\/p><\/div>\n
\n
<\/div>\n
\n
\n
\n

BEKA GWARLIANI<\/strong><\/a><\/span><\/h3>\n<\/div><\/div>\n
\n
\n

3D\u00a0<\/span>and\u00a0<\/span>Graphic\u00a0<\/span>Artist.\u00a0<\/span>Developing\u00a0<\/span>and\u00a0<\/span>experimenting\u00a0<\/span>with\u00a0<\/span>exciting\u00a0<\/span>ways\u00a0<\/span>to\u00a0<\/span>bring\u00a0<\/span>traditional\u00a0<\/span>art\u00a0<\/span>and\u00a0<\/span>my\u00a0<\/span>obsession\u00a0<\/span>for\u00a0<\/span>3D\u00a0<\/span>together\u00a0<\/span>since\u00a0<\/span>20\u00a0<\/span>Years.\u00a0<\/span>\u00a0<\/span><\/p>\n<\/div><\/div>\n

\n

\t\t\t\t\"\"<\/span>\n\t\t\t<\/div>\n

\n
\n

Caged in the Origin<\/a><\/span><\/h1>\n
\n

Edition 1 of 1<\/p>\n<\/div>\n

\n
Our <\/span>origin <\/span>can <\/span>be <\/span>either <\/span>the <\/span>root <\/span>cage <\/span>that <\/span>prevents <\/span>us <\/span>from <\/span>being <\/span>free, <\/span>or <\/span>the <\/span>tendrils <\/span>we <\/span>use <\/span>to <\/span>climb <\/span>to <\/span>freedom. <\/span>\u00a0<\/span><\/div>\n<\/div>\n<\/div><\/div>\n<\/p><\/div>\n
<\/div>\n<\/p><\/div>\n
\n
<\/div>\n
\n
\n
\n

INA VARE<\/span><\/a><\/h3>\n<\/div><\/div>\n
\n
\n

Video\u00a0<\/span>and\u00a0<\/span>Glitch\u00a0<\/span>Artist.\u00a0<\/span>Blending\u00a0<\/span>digital\u00a0<\/span>with\u00a0<\/span>analog.\u00a0<\/span>Processing\u00a0<\/span>motion\u00a0<\/span>through VHS <\/span>camcorders.\u00a0<\/span>\u00a0<\/span><\/p>\n<\/div><\/div>\n

\n

\t\t\t\t\"\"<\/span>\n\t\t\t<\/div>\n

\n
\n

<\/a>Cold Arms<\/a><\/span><\/h1>\n
\n

Edition 1 of 1<\/p>\n<\/div>\n

\n
I <\/span>am <\/span>living <\/span>next <\/span>to <\/span>the <\/span>sea <\/span>\u2013 <\/span>they <\/span>call <\/span>it <\/span>an <\/span>arm <\/span>of <\/span>an <\/span>ocean. <\/span>Most <\/span>of <\/span>the <\/span>time <\/span>around <\/span>the <\/span>year <\/span>she <\/span>is <\/span>icy <\/span>and <\/span>fierce. <\/span>Still, <\/span>I <\/span>tend <\/span>to <\/span>find <\/span>comfort <\/span>in <\/span>her’s <\/span>embrace <\/span>even <\/span>if <\/span>the <\/span>arms <\/span>are <\/span>a <\/span>little <\/span>cold. Single <\/span>edition <\/span>analog <\/span>video <\/span>finalized <\/span>as <\/span>looping <\/span>GIF <\/span>by <\/span>INA <\/span>VARE <\/span>\/ <\/span>@ina_vare. <\/span>Created <\/span>in <\/span>2022 <\/span>from <\/span>self-made <\/span>digital <\/span>video, <\/span>processed <\/span>on <\/span>analog <\/span>video <\/span>hardware <\/span>and <\/span>VHS. <\/span><\/span>\u00a0<\/span><\/div>\n<\/div>\n<\/div><\/div>\n<\/p><\/div>\n
<\/div>\n<\/p><\/div>\n
\n
<\/div>\n
\n
\n
\n

AMELIA EGUIA<\/strong><\/a><\/span><\/h3>\n<\/div><\/div>\n
\n
\n

The\u00a0<\/span>meditative\u00a0<\/span>experience\u00a0<\/span>where\u00a0<\/span>to\u00a0<\/span>visualize\u00a0<\/span>the\u00a0<\/span>intangible.\u00a0<\/span>\u00a0<\/span><\/p>\n<\/div><\/div>\n

\n

\t\t\t\t\"\"<\/span>\n\t\t\t<\/div>\n

\n
\n

<\/a>Mimetic energy<\/a><\/span><\/h1>\n
\n

Edition 1 of 1<\/p>\n<\/div>\n

\n
A <\/span>second <\/span>nature <\/span>in <\/span>three <\/span>dimensions. <\/span>Recomposing <\/span>the <\/span>shapes <\/span>of <\/span>life. <\/span>\u00a0<\/span><\/div>\n<\/div>\n<\/div><\/div>\n<\/p><\/div>\n
<\/div>\n<\/p><\/div>\n
\n
<\/div>\n
\n
\n
\n

KOLAHON<\/strong><\/a><\/span><\/h3>\n<\/div><\/div>\n
\n
\n

\ud835\ude00\ud835\ude06\ud835\uddfa\ud835\uddef\ud835\uddfc\ud835\uddf9\ud835\uddf6\ud835\ude00\ud835\uddfa\u00a0<\/span>|\u00a0<\/span>\ud835\ude01\ud835\uddff\ud835\ude06\u00a0<\/span>\ud835\ude01\ud835\uddfc\u00a0<\/span>\ud835\uddff\ud835\uddf2\ud835\uddf6\ud835\uddfb\ud835\ude03\ud835\uddf2\ud835\uddfb\ud835\ude01\u00a0<\/span>\ud835\uddfa\ud835\ude06\ud835\ude00\ud835\uddf2\ud835\uddf9\ud835\uddf3\u00a0<\/span>\ud835\uddf6\ud835\uddfb\u00a0<\/span>\ud835\uddee\u00a0<\/span>\ud835\uddf0\ud835\uddf5\ud835\uddee\ud835\uddfc\ud835\ude01\ud835\uddf6\ud835\uddf0\u00a0<\/span>\ud835\ude04\ud835\uddfc\ud835\uddff\ud835\uddf9\ud835\uddf1<\/span><\/p>\n<\/div><\/div>\n

\n

\t\t\t\t\"\"<\/span>\n\t\t\t<\/div>\n

\n
\n

\ud835\uddee \ud835\uddfa\ud835\uddee\ud835\ude01\ud835\ude01\ud835\uddf2\ud835\uddff \ud835\uddfc\ud835\uddf3 \ud835\ude01\ud835\uddf6\ud835\uddfa\ud835\uddf2<\/a><\/span><\/h1>\n
\n

Edition 1 of 1<\/p>\n<\/div>\n

\n
\ud835\ude01\ud835\uddf5\ud835\uddf2 <\/span>\ud835\uddfa\ud835\uddfc\ud835\uddfa\ud835\uddf2\ud835\uddfb\ud835\ude01 <\/span>\ud835\ude01\ud835\uddf5\ud835\uddee\ud835\ude01 <\/span>\ud835\uddf2\ud835\ude03\ud835\uddf2\ud835\uddff\ud835\ude06\ud835\ude01\ud835\uddf5\ud835\uddf6\ud835\uddfb\ud835\uddf4 <\/span>\ud835\uddf6\ud835\ude00 <\/span>\ud835\uddee\ud835\uddef\ud835\uddfc\ud835\ude02\ud835\ude01 <\/span>\ud835\ude01\ud835\uddfc <\/span>\ud835\uddf5\ud835\uddee\ud835\uddfd\ud835\uddfd\ud835\uddf2\ud835\uddfb \ud835\uddf6\ud835\uddf9\ud835\uddf9\ud835\ude02\ud835\uddfa\ud835\uddf6\ud835\uddfb\ud835\uddee\ud835\uddfb\ud835\uddf0\ud835\uddf2,<\/span> \ud835\uddff\ud835\uddf2\ud835\uddf3\ud835\uddf9\ud835\uddf2\ud835\uddf0\ud835\ude01\ud835\uddf2\ud835\uddf1 <\/span>\ud835\ude01\ud835\uddf5\ud835\uddf2 <\/span>\ud835\ude00\ud835\uddf5\ud835\uddee\ud835\uddf1\ud835\uddf2 <\/span>\ud835\uddfc\ud835\uddf3 <\/span>\ud835\uddf2\ud835\uddfa\ud835\uddfc\ud835\ude01\ud835\uddf6\ud835\uddfc\ud835\uddfb <\/span>\ud835\ude01\ud835\uddf5\ud835\uddee\ud835\ude01 <\/span>\ud835\uddfc\ud835\uddf0\ud835\uddf0\ud835\ude02\ud835\uddff \ud835\ude01\ud835\uddf5\ud835\uddf2 <\/span>\ud835\uddfc\ud835\uddef\ud835\uddf7\ud835\uddf2\ud835\uddf0\ud835\ude01 <\/span>\ud835\ude04\ud835\uddf6\ud835\uddf9\ud835\uddf9 <\/span>\ud835\uddef\ud835\uddf2 <\/span>\ud835\uddf6\ud835\uddfb\ud835\ude01\ud835\uddf2\ud835\uddff\ud835\uddfd\ud835\uddff\ud835\uddf2\ud835\ude01\ud835\uddf2\ud835\uddf1 <\/span>\ud835\uddee\ud835\ude00 <\/span>\ud835\uddee <\/span>\ud835\uddfa\ud835\uddf2\ud835\uddfa\ud835\uddfc\ud835\uddff\ud835\ude06 <\/span>\ud835\uddfc\ud835\uddf3 <\/span><\/span>\ud835\uddf0\ud835\uddff\ud835\ude06\ud835\ude00\ud835\ude01\ud835\uddee\ud835\uddf9\ud835\uddf9\ud835\uddf6\ud835\ude07\ud835\uddf2\ud835\uddf1 <\/span>\ud835\uddf2\ud835\uddfa\ud835\uddfc\ud835\ude01\ud835\uddf6\ud835\uddfc\ud835\uddfb\ud835\ude00 \ud835\ude04\ud835\uddee\ud835\uddf6\ud835\ude01\ud835\uddf6\ud835\uddfb\ud835\uddf4 <\/span>\ud835\uddf3\ud835\uddfc\ud835\uddff <\/span>\ud835\ude02\ud835\ude00 <\/span>\ud835\ude01\ud835\uddfc <\/span>\ud835\uddf0\ud835\uddfc\ud835\uddf9\ud835\uddf9\ud835\uddf2\ud835\uddf0\ud835\ude01 <\/span>\ud835\ude01\ud835\uddf5\ud835\uddf6\ud835\uddfb\ud835\uddf4\ud835\ude00 <\/span>\ud835\uddf6\ud835\uddfb\ud835\ude01\ud835\uddfc <\/span>\ud835\uddfd\ud835\uddff\ud835\uddf2\ud835\uddf0\ud835\uddf6\ud835\uddfc\ud835\ude02\ud835\ude00 <\/span>\ud835\uddfa\ud835\uddf2\ud835\uddfa\ud835\uddfc\ud835\uddff\ud835\uddf6\ud835\uddf2\ud835\ude00 \ud835\uddee\ud835\uddff\ud835\ude01\ud835\ude04\ud835\uddfc\ud835\uddff\ud835\uddf8 <\/span>\ud835\uddef\ud835\ude06 <\/span>\ud835\uddf8\ud835\uddfc\ud835\uddf9\ud835\uddee\ud835\uddf5\ud835\uddfc\ud835\uddfb <\/span>\u00a0<\/span><\/div>\n<\/div>\n<\/div><\/div>\n<\/p><\/div>\n
<\/div>\n<\/p><\/div>\n
\n
<\/div>\n
\n
\n
\n

LOOP<\/strong><\/a><\/span><\/h3>\n<\/div><\/div>\n
\n
\n

A\u00a0<\/span>place\u00a0<\/span>where\u00a0<\/span>I\u00a0<\/span>share\u00a0<\/span>my\u00a0<\/span>deepest\u00a0<\/span>thoughts\u00a0<\/span>and\u00a0<\/span>emotions\u00a0<\/span>into\u00a0<\/span>JPGs\u00a0<\/span>\u00a0<\/span><\/p>\n<\/div><\/div>\n

\n

\t\t\t\t\"\"<\/span>\n\t\t\t<\/div>\n

\n
\n

<\/a>Why Artists are Depressed?<\/a><\/span><\/h1>\n
\n

Edition 1 of 1<\/p>\n<\/div>\n

\n
As <\/span>an <\/span>artist <\/span>I <\/span>can <\/span>100% <\/span>be <\/span>sure <\/span>to <\/span>say <\/span>that <\/span>all <\/span>artists <\/span>struggled <\/span>at <\/span>least <\/span>once <\/span>during <\/span>the <\/span>creative <\/span>process, <\/span>I’m <\/span>sure <\/span>you <\/span>also <\/span>got <\/span>stuck <\/span>in <\/span>your <\/span>head <\/span>looking <\/span>at <\/span>the <\/span>canvas, <\/span>feeling <\/span>the <\/span>social <\/span>media <\/span>pressure <\/span>asking <\/span>for <\/span>you <\/span>to <\/span>be <\/span>active <\/span>or <\/span>you <\/span>will <\/span>be <\/span>forgotten <\/span>because <\/span>that <\/span>happens <\/span>to <\/span>all <\/span>of <\/span>us <\/span>small <\/span>artists, <\/span>we <\/span>get <\/span>forgotten <\/span>pretty <\/span>easy, <\/span>and <\/span>people <\/span>don’t <\/span>realize <\/span>how <\/span>that <\/span>has <\/span>power <\/span>over <\/span>us, <\/span>how <\/span>it <\/span>disturbs <\/span>our <\/span>creative <\/span>process <\/span>and <\/span>how <\/span>it <\/span>can <\/span>drive <\/span>us <\/span>crazy, <\/span>make <\/span>us <\/span>feel <\/span>bad <\/span>and <\/span>even <\/span>not <\/span>worth <\/span>it. <\/span>People <\/span>that <\/span>appreciate <\/span>art <\/span>should <\/span>have <\/span>all <\/span>these <\/span>factors <\/span>when <\/span>judging <\/span>art, <\/span>people <\/span>should <\/span>ask <\/span>three <\/span>questions <\/span>before <\/span>any <\/span>final <\/span>judgments… – <\/span>What <\/span>is <\/span>the <\/span>feeling <\/span>behind <\/span>this <\/span>art? – <\/span>How <\/span>long <\/span>did <\/span>it <\/span>take <\/span>to <\/span>developt <\/span>this <\/span>idea? – <\/span>How <\/span>hard <\/span>was <\/span>it <\/span>for <\/span>the <\/span>artist <\/span>to <\/span>draw <\/span>this <\/span>emotion? Those <\/span>3 <\/span>questions <\/span>can <\/span>give <\/span>you <\/span>a <\/span>brand <\/span>new <\/span>perspective <\/span>on <\/span>art <\/span>and <\/span>how <\/span>hard <\/span>it <\/span>is <\/span>for <\/span>us <\/span>to <\/span>show <\/span>our <\/span>emotions <\/span>in <\/span>art <\/span>because <\/span>besides <\/span>all <\/span>the <\/span>pressure <\/span>and <\/span>time <\/span>it <\/span>took <\/span>to <\/span>create, <\/span>we <\/span>are <\/span>still <\/span>putting <\/span>our <\/span>heart <\/span>into <\/span>the <\/span>canvas, <\/span>making <\/span>us <\/span>a <\/span>target <\/span>and <\/span>feeling <\/span>vulnerable… As <\/span>an <\/span>artist <\/span>I <\/span>can <\/span>say <\/span>that <\/span>my <\/span>value <\/span>was <\/span>never <\/span>something <\/span>I <\/span>thought <\/span>and <\/span>now <\/span>my <\/span>self-esteem <\/span>is <\/span>low <\/span>as <\/span>ever, <\/span>I’m <\/span>afraid <\/span>to <\/span>show <\/span>emotions <\/span>so <\/span>I <\/span>draw <\/span>them, <\/span>I <\/span>got <\/span>hurt <\/span>too <\/span>many <\/span>times <\/span>to <\/span>feel <\/span>ok <\/span>with <\/span>showing <\/span>my <\/span>deepest <\/span>thoughts, <\/span>but <\/span>I <\/span>don’t <\/span>want <\/span>you <\/span>to <\/span>follow <\/span>my <\/span>steps, <\/span>I <\/span>want <\/span>u <\/span>to <\/span>be <\/span>better <\/span>to <\/span>become <\/span>a <\/span>better <\/span>version <\/span>of <\/span>yourself, <\/span>never <\/span>is <\/span>enough <\/span>and <\/span>if <\/span>you <\/span>can <\/span>achieve <\/span>better <\/span>don’t <\/span>be <\/span>afraid <\/span>and <\/span>fight <\/span>for <\/span>it! Be <\/span>better, <\/span>be <\/span>amazing <\/span>be <\/span>the <\/span>person <\/span>of <\/span>your <\/span>dreams! <\/span>\u00a0<\/span><\/div>\n<\/div>\n<\/div><\/div>\n<\/p><\/div>\n
<\/div>\n<\/p><\/div>\n
\n
<\/div>\n
\n
\n
\n

MILANA JUVENTA<\/strong><\/a><\/span><\/h3>\n<\/div><\/div>\n
\n
\n

Abstractionista\u00a0<\/span>MJ\u00a0<\/span>\u00a0<\/span><\/p>\n<\/div><\/div>\n

\n

\t\t\t\t\"\"<\/span>\n\t\t\t<\/div>\n

\n
\n

<\/a>Illusion of Reality<\/a><\/span><\/h1>\n
\n

Edition 1 of 1<\/p>\n<\/div>\n

\n
There <\/span>are <\/span>two <\/span>basic <\/span>interpretations <\/span>of <\/span>reality: <\/span>realism, <\/span>which <\/span>states <\/span>that <\/span>reality <\/span>exists <\/span>objectively, <\/span>phenomenalism, <\/span>which <\/span>states <\/span>that <\/span>reality <\/span>is <\/span>only <\/span>discovered <\/span>by <\/span>man <\/span>in <\/span>the <\/span>process <\/span>of <\/span>cognition. If <\/span>you <\/span>indoctrinate <\/span>a <\/span>person <\/span>with <\/span>an <\/span>illusion, <\/span>it <\/span>can <\/span>become <\/span>reality <\/span>in <\/span>his <\/span>subjective <\/span>sphere. <\/span>Illusions <\/span>are <\/span>powerful <\/span>and <\/span>dangerous, <\/span>but <\/span>to <\/span>many <\/span>of <\/span>us <\/span>they <\/span>seem <\/span>a <\/span>safe <\/span>haven. Digital <\/span>art <\/span>by <\/span>MJ2022 <\/span>\u00a0<\/span><\/div>\n<\/div>\n<\/div><\/div>\n<\/p><\/div>\n
<\/div>\n<\/p><\/div>\n
\n
\n
\n
\n
\n
\n

\t\t\t\"20\"<\/p><\/div>\n

\n
\n
\n

SuperRare Magazine<\/h2>\n<\/p><\/div>\n