{"id":3915,"date":"2023-02-17T16:14:06","date_gmt":"2023-02-17T16:14:06","guid":{"rendered":"https:\/\/nft.runfyers.com\/index.php\/2023\/02\/17\/new-artists-on-superrare-superrare-magazine-11\/"},"modified":"2023-02-17T16:14:06","modified_gmt":"2023-02-17T16:14:06","slug":"new-artists-on-superrare-superrare-magazine-11","status":"publish","type":"post","link":"https:\/\/nft.runfyers.com\/index.php\/2023\/02\/17\/new-artists-on-superrare-superrare-magazine-11\/","title":{"rendered":"New artists on SuperRare – SuperRare Magazine"},"content":{"rendered":"

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New artists on SuperRare<\/h1>\n<\/p><\/div>\n<\/p><\/div>\n
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SuperRare Magazine<\/a><\/div>\n<\/p><\/div>\n
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3 hours ago<\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n
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New artists to watch<\/h3>\n<\/div><\/div>\n
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These artists were voted on from this week\u2019s list by members of the content and curation teams at SuperRare Labs.<\/span><\/p>\n<\/div><\/div>\n<\/p><\/div>\n

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TEXTRNR<\/strong><\/a><\/span><\/h3>\n<\/div><\/div>\n
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Digital Artist, Photographer and overthinker since 2011. Actually exploring Ai, minimalism and narrative.\u00a0\u00a0<\/span><\/p>\n<\/div><\/div>\n

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Alone<\/a><\/span><\/h1>\n
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Edition 1 of 1<\/p>\n<\/div>\n

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Alone <\/span><\/span>– <\/span><\/span>Made <\/span><\/span>with <\/span><\/span>Ai <\/span><\/span>by <\/span><\/span>textrnr <\/span>\u00a0<\/span><\/div>\n<\/div>\n<\/div><\/div>\n<\/p><\/div>\n
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\ud835\uddd4 \ud835\udde5 \ud835\uddd6 \ud835\uddd4 \ud835\udde1 \ud835\udde8 \ud835\udde6<\/a><\/span><\/h3>\n<\/div><\/div>\n
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Artist\u00a0<\/span>in\u00a0<\/span>the\u00a0<\/span>style\u00a0<\/span>of\u00a0<\/span>“Subjective\u00a0<\/span>Realism”\u00a0<\/span>My\u00a0<\/span>paintings\u00a0<\/span>are\u00a0<\/span>exhibited\u00a0<\/span>in\u00a0<\/span>France,\u00a0<\/span>England,\u00a0<\/span>Australia,\u00a0<\/span>Germany,\u00a0<\/span>etc.\u00a0<\/span><\/p>\n<\/div><\/div>\n

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Oblation ~ “Revivere” oil painting<\/a><\/span><\/a><\/span><\/h2>\n
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Edition 1 of 1<\/p>\n<\/div>\n

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My animated in “Revivere” style oil painting “Oblation”. 1\/1 NFT “Oblation” oil on canvas 200 x 165 cm (79 x 65 inch) 2016 Priests and sacrifices. Donors and those to whom these sacrifices are intended. Everyone is tied up in this tangle. We sacrifice ourselves for others and others for ourselves. We sacrifice freedom for love, fun for peace, life for eternity. We sacrifice our bodies and souls. We ourselves eat these sacrifices and feed small parasites, always accompanying us. Maybe sacrifice is the basis of all being? Or is this the biggest misconception that prevents us from living?<\/div>\n<\/section>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/p><\/div>\n
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YASHIKA KALRA<\/span><\/a><\/h3>\n<\/div><\/div>\n
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I\u00a0<\/span>create\u00a0<\/span>art\u00a0<\/span>to\u00a0<\/span>process\u00a0<\/span>the\u00a0<\/span>intensity\u00a0<\/span>and\u00a0<\/span>profound\u00a0<\/span>strangeness\u00a0<\/span>of\u00a0<\/span>the\u00a0<\/span>collective\u00a0<\/span>human\u00a0<\/span>experience.\u00a0<\/span>\u00a0<\/span><\/p>\n<\/div><\/div>\n

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<\/a>Daydreaming<\/a><\/span><\/h1>\n
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Edition 1 of 1<\/p>\n<\/div>\n

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I <\/span><\/span>like <\/span><\/span>to <\/span><\/span>travel, <\/span><\/span><\/span><\/span>travel <\/span><\/span>to <\/span><\/span>a <\/span><\/span>place <\/span><\/span>where <\/span><\/span>I <\/span><\/span>am <\/span><\/span>free <\/span><\/span>flowing <\/span><\/span>on <\/span><\/span>top <\/span><\/span>of <\/span><\/span>the <\/span><\/span>world. <\/span><\/span>Somewhere <\/span><\/span>where <\/span><\/span>all <\/span><\/span>the <\/span><\/span>burdens <\/span><\/span>don\u2019t <\/span><\/span>feel <\/span><\/span>too <\/span><\/span>heavy, <\/span><\/span>all <\/span><\/span>I <\/span><\/span>feel <\/span><\/span>is <\/span><\/span>being <\/span><\/span>uplifted.<\/span><\/span><\/span><\/span> <\/span><\/span>I <\/span><\/span>feel <\/span><\/span>more <\/span><\/span>deeply, <\/span><\/span>I <\/span><\/span>feel <\/span><\/span>more <\/span><\/span>free, <\/span><\/span>I <\/span><\/span>truly <\/span><\/span>belong <\/span><\/span>in <\/span><\/span>this <\/span><\/span>world <\/span><\/span>that <\/span><\/span>I <\/span><\/span>created.<\/span><\/span><\/span><\/span> <\/span><\/span>My <\/span><\/span>creative <\/span><\/span>dreamland, <\/span><\/span>my <\/span><\/span>safe <\/span><\/span>space, <\/span><\/span>where <\/span><\/span>I <\/span><\/span>am <\/span><\/span>the <\/span><\/span>center <\/span><\/span>of <\/span><\/span>my <\/span><\/span>universe. <\/span><\/span>I <\/span><\/span>am <\/span><\/span>boundless, <\/span><\/span>I <\/span><\/span>take <\/span><\/span>pieces <\/span><\/span>of <\/span><\/span>it <\/span><\/span>into <\/span><\/span>my <\/span><\/span>art.<\/span><\/span><\/span><\/span> <\/span><\/span><\/span><\/span> <\/span><\/span>I <\/span><\/span>try <\/span><\/span>to <\/span><\/span>make <\/span><\/span>this <\/span><\/span>world <\/span><\/span>into <\/span><\/span>my <\/span><\/span>reality, <\/span><\/span>I <\/span><\/span>truly <\/span><\/span>feel <\/span><\/span>like <\/span><\/span>myself <\/span><\/span>here. <\/span>\u00a0<\/span><\/div>\n<\/div>\n<\/div><\/div>\n<\/p><\/div>\n
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New artists on SuperRare<\/h3>\n<\/div><\/div>\n<\/p><\/div>\n
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SPELLAMIN<\/span><\/a><\/h3>\n<\/div><\/div>\n
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art-ist\u00a0<\/span>\u00a0<\/span><\/p>\n<\/div><\/div>\n

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Chaos Town<\/a><\/span><\/h1>\n
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Edition 1 of 1<\/p>\n<\/div>\n

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My <\/span><\/span>bags <\/span><\/span>are <\/span><\/span>falling…<\/span><\/span> <\/span><\/span>Running <\/span><\/span>behind <\/span><\/span>it… <\/span><\/span>Will <\/span><\/span>I <\/span><\/span>ever <\/span><\/span>get <\/span><\/span>it <\/span><\/span>back?<\/span><\/span> <\/span><\/span>I <\/span><\/span>even <\/span><\/span>mint <\/span><\/span>artwork… <\/span><\/span>And <\/span><\/span>I <\/span><\/span>burn <\/span><\/span>them<\/span><\/span> <\/span><\/span>I <\/span><\/span>know <\/span><\/span>I <\/span><\/span>am <\/span><\/span>on <\/span><\/span>fire!<\/span><\/span> <\/span><\/span>But <\/span><\/span>I <\/span><\/span>have <\/span><\/span>to <\/span><\/span>keep <\/span><\/span>on <\/span><\/span>going… <\/span><\/span>I <\/span><\/span>have <\/span><\/span>to <\/span><\/span>keep <\/span><\/span>on <\/span><\/span>going <\/span><\/span>… <\/span>\u00a0<\/span><\/div>\n<\/div>\n<\/div><\/div>\n<\/p><\/div>\n
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LUIS SIMO<\/strong><\/a><\/span><\/h3>\n<\/div><\/div>\n
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Artist\u00a0<\/span>and\u00a0<\/span>collector.\u00a0<\/span>\u00a0<\/span><\/p>\n<\/div><\/div>\n

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Edition 1 of 1<\/p>\n<\/div>\n

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WAGMI, <\/span><\/span>oil <\/span><\/span>on <\/span><\/span>canvas, <\/span><\/span>146×114 <\/span><\/span>cm, <\/span><\/span>2023.<\/span><\/span> <\/span><\/span><\/span><\/span> <\/span><\/span>First <\/span><\/span>artwork <\/span><\/span>of <\/span><\/span>the <\/span><\/span>series <\/span><\/span>WAGMI, <\/span><\/span>a <\/span><\/span>collection <\/span><\/span>where <\/span><\/span>art <\/span><\/span>history, <\/span><\/span>cryptoart, <\/span><\/span>popular <\/span><\/span>iconography <\/span><\/span>and <\/span><\/span>great <\/span><\/span>myths <\/span><\/span>come <\/span><\/span>together <\/span><\/span>on <\/span><\/span>the <\/span><\/span>same <\/span><\/span>canvas.<\/span><\/span><\/span><\/span> <\/span><\/span><\/span>\u00a0<\/span><\/div>\n<\/div>\n<\/div><\/div>\n<\/p><\/div>\n
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MATTHIEU MARTIN<\/strong><\/a><\/span><\/h3>\n<\/div><\/div>\n
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CG\u00a0<\/span>Artist\u00a0<\/span>who\u00a0<\/span>loves\u00a0<\/span>to\u00a0<\/span>create\u00a0<\/span>dystopian\u00a0<\/span>and\u00a0<\/span>futuristic\u00a0<\/span>dark\u00a0<\/span>atworks\u00a0<\/span>from\u00a0<\/span>his\u00a0<\/span>dreams\u00a0<\/span>or\u00a0<\/span>perhaps\u00a0<\/span>from\u00a0<\/span>his\u00a0<\/span>nightmares.\u00a0<\/span>\u00a0<\/span><\/p>\n<\/div><\/div>\n

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Opening face<\/a><\/span><\/h1>\n
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Edition 1 of 1<\/p>\n<\/div>\n

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Opening <\/span><\/span>face<\/span><\/span> <\/span><\/span><\/span><\/span> <\/span><\/span>How <\/span><\/span>do <\/span><\/span>you <\/span><\/span>see <\/span><\/span>the <\/span><\/span>future? <\/span><\/span>Here <\/span><\/span>is <\/span><\/span>my <\/span><\/span>vision <\/span><\/span>of <\/span><\/span>the <\/span><\/span>future <\/span><\/span>through <\/span><\/span>this <\/span><\/span>facial <\/span><\/span>implant <\/span><\/span>inspired <\/span><\/span>by <\/span><\/span>Ghost <\/span><\/span>in <\/span><\/span>the <\/span><\/span>Shell.<\/span><\/span> <\/span><\/span>This <\/span><\/span>implant <\/span><\/span>contains <\/span><\/span>in <\/span><\/span>its <\/span><\/span>center <\/span><\/span>a <\/span><\/span>nuclear <\/span><\/span>generator <\/span><\/span>to <\/span><\/span>power <\/span><\/span>all <\/span><\/span>the <\/span><\/span>devices <\/span><\/span>of <\/span><\/span>the <\/span><\/span>body.<\/span><\/span> <\/span><\/span><\/span><\/span> <\/span><\/span>1500 <\/span><\/span>x <\/span><\/span>2000 <\/span><\/span>pixels<\/span><\/span> <\/span><\/span>182 <\/span><\/span>frames <\/span><\/span>loop<\/span><\/span> <\/span><\/span>2023<\/span><\/span> <\/span><\/span>by <\/span><\/span>impossible.realities <\/span>\u00a0<\/span><\/div>\n<\/div>\n<\/div><\/div>\n<\/p><\/div>\n
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TOPPY ETON<\/strong><\/a><\/span><\/h3>\n<\/div><\/div>\n
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Portrait (Aux Cam\u00e9lias)<\/a><\/span><\/h1>\n
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Edition 1 of 1<\/p>\n<\/div>\n

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A <\/span><\/span>digital <\/span><\/span>painting. <\/span>\u00a0<\/span><\/div>\n<\/div>\n<\/div><\/div>\n<\/p><\/div>\n
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POL BALLONGA<\/span><\/a><\/h3>\n<\/div><\/div>\n
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Lifetime\u00a0<\/span>artist,\u00a0<\/span>with\u00a0<\/span>nearly\u00a0<\/span>a\u00a0<\/span>decade\u00a0<\/span>working\u00a0<\/span>professionally\u00a0<\/span>as\u00a0<\/span>a\u00a0<\/span>figurative sculptor.<\/span><\/p>\n<\/div><\/div>\n

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<\/a>Radiant Rumination<\/a><\/span><\/h1>\n
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Edition 1 of 1<\/p>\n<\/div>\n

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We <\/span><\/span>can <\/span><\/span>see <\/span><\/span>that <\/span><\/span>this <\/span><\/span>piece <\/span><\/span>is <\/span><\/span>full <\/span><\/span>of <\/span><\/span>contrapositions. <\/span><\/span>From <\/span><\/span>the <\/span><\/span>myriad <\/span><\/span>of <\/span><\/span>hues, <\/span><\/span>the <\/span><\/span>rough <\/span><\/span>textures <\/span><\/span>of <\/span><\/span>the <\/span><\/span>modeling <\/span><\/span>on <\/span><\/span>the <\/span><\/span>subtle <\/span><\/span>background, <\/span><\/span>to <\/span><\/span>even <\/span><\/span>the <\/span><\/span>sizes <\/span><\/span>of <\/span><\/span>the <\/span><\/span>characters, <\/span><\/span>all <\/span><\/span>contribute <\/span><\/span>to <\/span><\/span>creating <\/span><\/span>a <\/span><\/span>surreal <\/span><\/span>effect. <\/span><\/span>Similar <\/span><\/span>to <\/span><\/span>the <\/span><\/span>ceiling <\/span><\/span>of <\/span><\/span>the <\/span><\/span>Capella <\/span><\/span>Scrovegni <\/span><\/span>(1303) <\/span><\/span>that <\/span><\/span>inspired <\/span><\/span>this <\/span><\/span>environment, <\/span><\/span>it <\/span><\/span>creates <\/span><\/span>a <\/span><\/span>majestic <\/span><\/span>space <\/span><\/span>that <\/span><\/span>plays <\/span><\/span>with <\/span><\/span>that <\/span><\/span>contrast <\/span><\/span>of <\/span><\/span>colors <\/span><\/span>with <\/span><\/span>its <\/span><\/span>hundreds <\/span><\/span>of <\/span><\/span>yellow <\/span><\/span>stars <\/span><\/span>painted <\/span><\/span>on <\/span><\/span>its <\/span><\/span>blue <\/span><\/span>ceiling.<\/span><\/span> <\/span><\/span><\/span><\/span> <\/span><\/span>This <\/span><\/span>work <\/span><\/span>is <\/span><\/span>an <\/span><\/span>allegory <\/span><\/span>to <\/span><\/span>contemplation, <\/span><\/span>one <\/span><\/span>that <\/span><\/span>this <\/span><\/span>ambiance <\/span><\/span>stimulates, <\/span><\/span>eternally <\/span><\/span>encouraging <\/span><\/span>us <\/span><\/span>to <\/span><\/span>disconnect <\/span><\/span>from <\/span><\/span>the <\/span><\/span>weight <\/span><\/span>that <\/span><\/span>we <\/span><\/span>carry <\/span><\/span>on <\/span><\/span>our <\/span><\/span>shoulders <\/span><\/span>daily. <\/span><\/span>An <\/span><\/span>increasingly <\/span><\/span>unusual, <\/span><\/span>but <\/span><\/span>very <\/span><\/span>necessary <\/span><\/span>gesture. <\/span>\u00a0<\/span><\/div>\n<\/div>\n<\/div><\/div>\n<\/p><\/div>\n
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NOFAITHVISUALS<\/strong><\/a><\/span><\/h3>\n<\/div><\/div>\n
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knight\u00a0<\/span>of\u00a0<\/span>despair\u00a0<\/span>\/\u00a0<\/span>warrior\u00a0<\/span>of\u00a0<\/span>beauty\u00a0<\/span>\u00a0<\/span><\/p>\n<\/div><\/div>\n

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<\/a>[ no faith ]<\/a><\/span><\/h1>\n
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Edition 1 of 1<\/p>\n<\/div>\n

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I <\/span><\/span>am <\/span><\/span>still<\/span><\/span> <\/span><\/span>lost <\/span><\/span>between <\/span><\/span>worlds<\/span><\/span> <\/span><\/span><\/span><\/span> <\/span><\/span>ruins <\/span><\/span>of <\/span><\/span>a <\/span><\/span>romantic <\/span><\/span>disaster<\/span><\/span> <\/span><\/span>a <\/span><\/span>ghost <\/span><\/span>of <\/span><\/span>a <\/span><\/span>future <\/span><\/span>me<\/span><\/span> <\/span><\/span><\/span><\/span> <\/span><\/span>I <\/span><\/span>am <\/span><\/span>lost<\/span><\/span> <\/span><\/span>I <\/span><\/span>am <\/span><\/span>nothing<\/span><\/span> <\/span><\/span>I <\/span><\/span>am <\/span><\/span>no <\/span><\/span>faith<\/span><\/span> <\/span><\/span><\/span><\/span> <\/span><\/span>I <\/span><\/span>am <\/span><\/span>still <\/span><\/span>here<\/span><\/span> <\/span><\/span><\/span><\/span> <\/span><\/span>(for <\/span><\/span>Angelica)<\/span><\/span> <\/span><\/span><\/span><\/span> <\/span><\/span><\/span><\/span> <\/span><\/span>\u2234<\/span><\/span> <\/span><\/span><\/span><\/span> <\/span><\/span>One <\/span><\/span>image. <\/span><\/span>Two <\/span><\/span>different <\/span><\/span>creative <\/span><\/span>processes <\/span><\/span>merged <\/span><\/span>together.<\/span><\/span> <\/span><\/span><\/span><\/span> <\/span><\/span>Digital <\/span><\/span>process: <\/span><\/span>photo <\/span><\/span>manipulation <\/span><\/span>(ruins <\/span><\/span>of <\/span><\/span>a <\/span><\/span>romantic <\/span><\/span>disaster).<\/span><\/span> <\/span><\/span>+<\/span><\/span> <\/span><\/span>Physical <\/span><\/span>process: <\/span><\/span>spray <\/span><\/span>paint <\/span><\/span>on <\/span><\/span>inkjet <\/span><\/span>print <\/span><\/span>(a <\/span><\/span>ghost <\/span><\/span>of <\/span><\/span>a <\/span><\/span>future <\/span><\/span>me).<\/span><\/span> <\/span><\/span>=<\/span><\/span> <\/span><\/span>[ <\/span><\/span>no <\/span><\/span>faith <\/span><\/span>]<\/span><\/span><\/span><\/span> <\/span><\/span><\/span><\/span> <\/span><\/span><\/span><\/span> <\/span><\/span><\/span><\/span> <\/span><\/span>Original <\/span><\/span>stock <\/span><\/span>photography: <\/span><\/span>Ksenia <\/span><\/span>Honcharova<\/span><\/span><\/span><\/span> <\/span><\/span><\/span>\u00a0<\/span><\/div>\n<\/div>\n<\/div><\/div>\n<\/p><\/div>\n
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B\u00e8f\u00e8<\/span><\/strong><\/a><\/span><\/h3>\n<\/div><\/div>\n
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I’m\u00a0<\/span>suffering\u00a0<\/span>from\u00a0<\/span>Multiple\u00a0<\/span>Art\u00a0<\/span>Disorder\u00a0<\/span>\u00a0<\/span><\/p>\n<\/div><\/div>\n

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LFG<\/a><\/span><\/span><\/h2>\n
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Edition 1 of 1<\/p>\n<\/div>\n

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The <\/span><\/span>uncanny <\/span><\/span>performance <\/span><\/span>of <\/span><\/span>the <\/span><\/span>sick <\/span><\/span>subconscious.. <\/span>\u00a0<\/span><\/div>\n<\/div>\n<\/div><\/div>\n<\/p><\/div>\n
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\t\t\t\"20\"<\/p><\/div>\n

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SuperRare Magazine<\/h2>\n<\/p><\/div>\n