A series of brief conversations with prominent AI artists to get a behind-the-scenes view of the different ways that AI fits into the creative process<\/em><\/h2>\n
\nVisit Studio Brasch\u2019s MakersPlace profile<\/a><\/h3>\n
\nBrady Walker: Can you introduce yourself to our readers?\u00a0<\/strong><\/p>\nStudio Brasch:<\/strong> My name is Anders, also known as Studio Brasch. I\u2019m a Danish artist currently working and living in Stockholm, Sweden. I have created art in many different mediums since I was a young boy, starting out with graffiti, then progressing to graphic design and typography, digital illustration\/collage\/painting, photography, sculpture, and even sound design. I used to combine all of this under an umbrella I called image-making.\u00a0<\/p>\nToday, I\u2019m combining all these experiences and influences using 3D and AI as these mediums allow me to express my imagination without too many technical limitations. I hold an MA in Visual Communication from UAL and have 15 years of experience working in the advertising and design industry as an Art Director, creating personal art on the side, which I sometimes have had the opportunity to inject into my commercial work.\u00a0<\/p>\n
However, this all changed 7 years ago when I discovered 3D and started creating virtual worlds, sculptures, and set designs, which people today refer to as \u2018dreamscapes\u2019. This was during a period when most people only associated 3D with industrial design and VFX. We were only a handful of artists \u2014 among them Six N Five, Andreas Reisinger, and Alexis Christodoulou \u2014 creating \u2018dreamscapes\u2019 at the time.\u00a0<\/p>\n
After posting my work online, I received a lot of press coverage, and I went to San Francisco for a week by personal invitation from Airbnb\u2019s co-founder Joe Gebbia to give a talk about my work at their headquarters. After all this, brands started reaching out, and that has been my primary occupation since then. There are strong similarities between the work I create personally (NFTs) and the work I create for brands and agencies, which is why I have the same name in both worlds. In other words, my clients come to me for my personal work. That combined with being able to have my personal art collected is a dream come true for me.<\/p>\n
My work stems from a deep fascination with the natural world, and how it relates to technology, and the times we live in. I\u2019m inspired by science and natural phenomena, but I look at these things from a poetic rather than scientific point of view. I\u2019m interested in the gray zones and the intangible that exist between nature and technology, and I try to give this form.<\/p>\n
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Brady Walker: Can you introduce yourself to our readers?\u00a0<\/strong><\/p>\n Studio Brasch:<\/strong> My name is Anders, also known as Studio Brasch. I\u2019m a Danish artist currently working and living in Stockholm, Sweden. I have created art in many different mediums since I was a young boy, starting out with graffiti, then progressing to graphic design and typography, digital illustration\/collage\/painting, photography, sculpture, and even sound design. I used to combine all of this under an umbrella I called image-making.\u00a0<\/p>\n Today, I\u2019m combining all these experiences and influences using 3D and AI as these mediums allow me to express my imagination without too many technical limitations. I hold an MA in Visual Communication from UAL and have 15 years of experience working in the advertising and design industry as an Art Director, creating personal art on the side, which I sometimes have had the opportunity to inject into my commercial work.\u00a0<\/p>\n However, this all changed 7 years ago when I discovered 3D and started creating virtual worlds, sculptures, and set designs, which people today refer to as \u2018dreamscapes\u2019. This was during a period when most people only associated 3D with industrial design and VFX. We were only a handful of artists \u2014 among them Six N Five, Andreas Reisinger, and Alexis Christodoulou \u2014 creating \u2018dreamscapes\u2019 at the time.\u00a0<\/p>\n After posting my work online, I received a lot of press coverage, and I went to San Francisco for a week by personal invitation from Airbnb\u2019s co-founder Joe Gebbia to give a talk about my work at their headquarters. After all this, brands started reaching out, and that has been my primary occupation since then. There are strong similarities between the work I create personally (NFTs) and the work I create for brands and agencies, which is why I have the same name in both worlds. In other words, my clients come to me for my personal work. That combined with being able to have my personal art collected is a dream come true for me.<\/p>\n My work stems from a deep fascination with the natural world, and how it relates to technology, and the times we live in. I\u2019m inspired by science and natural phenomena, but I look at these things from a poetic rather than scientific point of view. I\u2019m interested in the gray zones and the intangible that exist between nature and technology, and I try to give this form.<\/p>\n
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