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In an interview with Brady Walker, digital artist Andreas Lilja details his artistic journey and approach. Lilja\u2019s path started in the mid-1980s, using an Amiga 500 and Deluxe Paint software to create pixel art. Recently, Lilja minted his childhood art as NFTs as he introduced his son to blockchain technology.\u00a0<\/p>\n
Lilja\u2019s work explores contrasts: dark, dystopian themes versus peaceful landscapes, reflecting his mood and interest in life\u2019s extremes. He notes a series of dystopian works that illustrate this exploration. Lilja discusses the challenges of pricing in the crypto art space and takes a patient approach when facing creative blocks. He shares advice for his younger self: believe in oneself, prioritize simplicity, and stay true to one\u2019s vision.<\/p>\n
Brady Walker: When did you first start making digital art, and what kind of art was it?<\/strong><\/p>\n Andreas Lilja: In the mid-1980s, I made my first attempts to create art using digital tools. I was fascinated by the graphics in the games we played, even though they were relatively simple back then. I wanted to learn how to create my own images, so I used my Amiga 500 and a software called Deluxe Paint. At first, it was a lot of trial and error before I could create an image that even remotely resembled what I had in mind. Often, I had to build the image pixel by pixel. I created art that reflected my interests at that age, such as fantasy, music, and computers. I even made some simple animations with sound, which by today\u2019s standards might seem basic, but back then I was really proud of what I had accomplished. Unfortunately, I do not have any work from that time saved.<\/p>\n \n
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